This is a haiku about McDonald's, and may very well be the best I've ever written on the subject. Based on a true story...
"A cheese burger, now" (5)
I scream at the bitch in charge (7)
"shut the fuck up, sir" (5)
Here's another funny story about my experiences in a fast food resturant, also a McDonalds. One day, after comming down with the 100 proof flu, I found myself in a Mcdonald's, front of the line and ready to order. I was feeling pretty shitty and figured it was a chicken burger kind of day. Everything seemed to be looking up and at this moment I began to feel a little better. "ummm...can I get a chicken burger and fries" I said to the woman at the counter. Well, without missing a beat she said "that shirt makes you look gay." Thinking back, I can't remember which shirt it was, or if it did in fact make me look gay, but I do remember that it pissed me off, and, being hung over and all, anything was bound to come out of my mouth. Now, in a perfect world I would have projectile vomited right at that moment in her face. I'm sorry to say I didnt, it seemed that that day was one of the few when my stomach was able to hold up. But, what I did come up with was this, "no, I'm gay because I fuck your father in the ass when your mother is out of town." Bam, I was on top again. If your wondering, no, im not gay, but I will say almost anything to shit in someones breakfast. At that moment she looked like someone had given her a gift warpped box of shit for christmas, human shit. Me on the other hand, I felt like Mike Tyson punching out a sleeping infant. It was great. Needless to say, I was asked to leave, without the chicken burger. And whats the moral of that story you ask, "Ignorance begets Ignorance" or "dont fuck with me when I'm hung over you dumb bitch"
It's strange. I often get into altercations like this one in fast food resturants and at this point I dont know if it's the food or the people that gets me going. Maybe it's both. Either way, hope you enjoyed the story
FOR ALL LAWYERS AND CONCERNED CITIZENS
THE METHODS OF PERSUASION USED BY THE ISSUE ZERO MAGAZINE "STREET TEAM" ARE COMMITTED BY A FACTION OF OUR ADMINISTRATION, AND THOUGH WE SUPPORT THEM IN VOICE, THEIR ACTIONS ARE NOT OUR OWN.
OBJECTIVES SUCH AS:
1 STICKER PLACEMENT ON SOUGHT AFTER, GENRE AND STYLE-SPECIFIC PRODUCTS, I.E. CD'S, CLOTHING, BOOKS AND SIGNS,
2 USE OF STENCILS AND AEROSOL, INK,
3 POSTERS AND TICKET TAPING,
4 RAISING AWARENESS IN ANY FORM, AND IN ANY ELEMENT, OR MEDIA.
THESE ARE THE ACTIONS OF RENEGADE, GUERRILLA PROMOTIONS OFFICERS WHO RAISE OUR FLAG.
THX, MGMT
OBJECTIVES SUCH AS:
1 STICKER PLACEMENT ON SOUGHT AFTER, GENRE AND STYLE-SPECIFIC PRODUCTS, I.E. CD'S, CLOTHING, BOOKS AND SIGNS,
2 USE OF STENCILS AND AEROSOL, INK,
3 POSTERS AND TICKET TAPING,
4 RAISING AWARENESS IN ANY FORM, AND IN ANY ELEMENT, OR MEDIA.
THESE ARE THE ACTIONS OF RENEGADE, GUERRILLA PROMOTIONS OFFICERS WHO RAISE OUR FLAG.
THX, MGMT
Thursday, August 13, 2009
Wednesday, June 3, 2009
ISSUE ZERO MAGAZINE: HOLY HELL ON EARTH, IT'S ABOUT TO GET SUMMER IN THIS PIECE.

Well, well, well, Summer, we've been expecting you.
This summer is gonna be sick as fudge. Between different projects, I'm going to try and find some time for the truest of summer pass-times: getting half-naked, sweaty-drunk.
Not like power-drunk, more like, been-at-all-day, I'm-down-for-whatever drunk.
Which brings me to this: I have a problem with Summer, even though I really like luke-warm nights passed out on a dock, and that's there's not always something to do.
Here's a couple of suggestions, should boredom strike you.
1 Get to the lake. It's perfectly human to get a lift off that.
2 Call your girly up... (awe... that's just nice...)
3 Create company. Build stencils, t-shirts, posters, and stack up on aerosol glue. Print stickers, fliers and banners, and blanket them everywhere. Bomb out a bunch of canvasses, murals, and gear, and create stock. Design a route to take advantage of people flow, and sell pieces while doing radically under priced performance art. By night, poster and stencil company logo over, beside, and under every damn thing from here to there. Gate-crash elitist designer parties and Wreakhouse. (See: gate-crashing a RGD seminar.) Dominate a 15 by 20 foot section of Queen and Spadina sidewalk. (with fuckin lead-based paint in case someone was looking to have it stick around like the yellow line on the street.) INVADE YORKVILLE. Eat breakfast. BUY A BULLHORN, or "find" one. Hassle advertising agencies and design firms, relentlessly. Orchestrate a series of publicity stunts and guerrilla advertisments. Draw something "nice." DONT LEAVE THE FUCKIN BBQ ON. Invite a gang of people over to your joint, crack drinks, crank tunes, and light it the Helloff. Lake-side jams, all night. Brand your lifestyle, and introduce mandatory membership. Hammer like 20 beers down and go tubbing with your crazy buddies. Urban exploration: under-rated. "Crash" and "Parties." Hard. Powerfuck. Get lifted.
Find that little thing that does it for you.
Take in a sunrise with having actually slept the night before.
Listen to the birds.
Raise Hell, and relax in Heaven.
Yeah, so there's three good ideas.
Oh yeah, one last thing...
DO NOT MISS THE LCBO BEFORE HOLIDAYS. ("Man that sucks")
ISSUE ZERO MAGAZINE STRONGLY ADVOCATES THE SECOND AND THRID IDEA...It's because sweaty summer sex and ruthless guerrilla campaigns keeps things interesting. The lake's nice, but not that nice.
-keep it real.
Monday, May 4, 2009
ISSUE ZERO MAGAZINE: KRS ONE @ THE OPERA HOUSE, JUNE 12, 2009.

I got my ass learned some realness on Saturday.
Yesindeedy, I did.
We hit the Freedom Festival. The weed march, as some call it, we got the tail end of it. Within an hour, Queen's Park was getting tight at the seems.
And that shit smelt lovely. Lovely, like rolling in a grow show. There was plumes of dense white smoke billowing out of every third person, every second in front of your eyes.
We made contact with a stencil/poster/guerrilla promoter, known for work with Tapeminati.com, a mix tape distribution company (re: look down if you're on Queen and Spadina for the mix tape stencil) who gave us a proposition:
Hand out Volcom shwag, lace the crowd with KRS ONE posters, and in return, get on the guest list for KRS ONE, (and rock some sexy backstage passes) at the June 12th show at the long standing Opera House, where other brilliant speakers such Hunter S. Thompson have inspired before.
Sounded dope as figidiuck to me.
So we did it. Oh yeah, we sure did.
We dropped over 2000 pieces (conservative estimate) of Volcom hats and vinyl stickers, many, many ISSUE ZERO MAGAZINE stickers, and hundreds and hundreds of KRS ONE posters for the show, all under about four hours.
Like hell-bent vending machines.
Yes, the force was strong here.
We interviewed Jace and Hex of WildCore, the organizers of the event at the Opera House, a righteous pair of Hip-Hop advocates. These guys live it, and you can tell from the way they talk, it’s a lifestyle. The words, the actions, everything ties in to it.
Here at ISSUE ZERO MAGAZINE, we are all about living it, what ever it is you do, if you love it, you become it. Simple enough.
When KRS ONE hits the stage, it will have been after doing two seminars under the “Stop The Violence Movement” group, responsible for awakening the public about the nature of the Hip-Hop communities.
What’s the good news? The tickets are $28. The Show is going to be gnarly, and the talent is legendary. Get stoked, this one is for the hardcore Hip-Hop Heads.
BIG UP TO JAS AND HEX OF WILDCORE.
MAD METAL HOLLARS OUT TO THE ORGANISERS OF THE FREEDOM FESTIVAL.
WE HERE AT ISSUE ZERO MAGAZINE ARE GETTING A LITTLE FIRED UP OVER HERE. THIS SHOW IS GONNA BE EPIC.
AND LASTLY, FORTIES UP!
TO KRS ONE, “THE TEACHER”...
WE CANT WAIT TO WELCOME YOU TO TORONTO…
#0M
Monday, April 13, 2009
ISSUE ZERO MAGAZINE: How to Save Face.
NEVER BACK DOWN.
REMEMBER WHO YOU FRIENDS ARE.
BURN ANYTHING IN YOUR PATH DOWN.
REMEMBER WHO YOU FRIENDS ARE.
BURN ANYTHING IN YOUR PATH DOWN.
Thursday, February 26, 2009
ISSUE ZERO MAGAZINE: TRIPLE SICK SKIN REVIEW; GRAVENHURST.
URSA MEGA AND CHEMICAL ROBOTIKS OF ISSUE ZERO MAGAZINE WOULD LIKE TO THANK BILL ORCHARD AND JOHN PURKIS OF PSYCHO WARD CLOTHING COMPANY, TONY THEOS AND PETER WOODS OF TRIPLE SICK SKIN TATTOOS AND PIERCINGS, CHRIS CAMPBELL, THE BANDS AZENITH, RAIGN, MASTER OF WEAPON, AND GODKILLER.
AND A HUGE SCREAMER OUT TO MY BROTHERS STEVE CAIRNS AND KARL FLAGGAR OF SCDIGITAL FOR FILMING THE PROJECT.
STAY TUNED TO ISSUE ZERO MAGAZINE AND PSYCHO WARD C.C. EVENTS AND ENTERTAINMENT FOR MORE COLLABORATIONS
AND A HUGE SCREAMER OUT TO MY BROTHERS STEVE CAIRNS AND KARL FLAGGAR OF SCDIGITAL FOR FILMING THE PROJECT.
STAY TUNED TO ISSUE ZERO MAGAZINE AND PSYCHO WARD C.C. EVENTS AND ENTERTAINMENT FOR MORE COLLABORATIONS
Tuesday, February 24, 2009
The Wrestler
Darren Aronofsky's The Wrestler poignantly and poetically presents a multidimensional portrait of a professional wrestler's undesired retirement. Randy "The Ram" Robinson (Mickey Rourke) lives life the hard way and when things come crashing down does his best to reign in that which he unfortunately let go during the more belligerent days of his career. Dashing dancer Cassidy (Marisa Tomei) and estranged daughter Stephanie (Evan Rachel Wood) do their best to help piece together the puzzle, but it's a heartbreakingly byzantine panorama requiring a sincerely dedicated degree of patience to comprehend.
The film's strong and Rourke's performance is my pick for Oscar's best actor of the year. The grainy shots and promotional poster credits establish a prominent yet passionately melancholic aesthetic that aptly reflects The Ram's troubles. And it hurts to see him go through it, a spur of the moment man crippled by the financial and humanistic consequences of responsibility. Things happen, not everyone can deal, and not everyone chooses a comfortable career with a pension, regular pay, and wide ranging benefits. The Ram's predicament generally functions as a representative of the aging economic other, the dedicated destitute artist doing what she or he can with what little he or she possesses to bring a bit more cheer to the members of her or his community. And each particular performance electrifies and holistically humanizes what it means to live according to your own individual rules with their own attendant predilections.
There are feelings and points of view that get lost in the rush as you travel from one dimension to another in order to reconstruct daily routines, get by, important pieces of your personal constitution that lie dormant in the unconscious waiting for a specific smell/game winning touchdown pass/deal breaking decision/surprise dinner/work of art to bring them back to life. And The Wrestler really made me feel a lot of the convictions that I had been simply thinking for who knows how long (providing them with an outlet to be revitalized) and that's just one of the reasons why I found it to be such an exceptional film.
Rourke's powerful portrayal of a dislodged, dominant demon, stalwart yet dainty, determined yet spellbound, vigorously demonstrates what it means to succeed while simultaneously pointing out the lesions of loss. Aronofsky once again provocatively illustrates his evocative chops, presenting another infinite requiem for a courageously clandestine character.
The film's strong and Rourke's performance is my pick for Oscar's best actor of the year. The grainy shots and promotional poster credits establish a prominent yet passionately melancholic aesthetic that aptly reflects The Ram's troubles. And it hurts to see him go through it, a spur of the moment man crippled by the financial and humanistic consequences of responsibility. Things happen, not everyone can deal, and not everyone chooses a comfortable career with a pension, regular pay, and wide ranging benefits. The Ram's predicament generally functions as a representative of the aging economic other, the dedicated destitute artist doing what she or he can with what little he or she possesses to bring a bit more cheer to the members of her or his community. And each particular performance electrifies and holistically humanizes what it means to live according to your own individual rules with their own attendant predilections.
There are feelings and points of view that get lost in the rush as you travel from one dimension to another in order to reconstruct daily routines, get by, important pieces of your personal constitution that lie dormant in the unconscious waiting for a specific smell/game winning touchdown pass/deal breaking decision/surprise dinner/work of art to bring them back to life. And The Wrestler really made me feel a lot of the convictions that I had been simply thinking for who knows how long (providing them with an outlet to be revitalized) and that's just one of the reasons why I found it to be such an exceptional film.
Rourke's powerful portrayal of a dislodged, dominant demon, stalwart yet dainty, determined yet spellbound, vigorously demonstrates what it means to succeed while simultaneously pointing out the lesions of loss. Aronofsky once again provocatively illustrates his evocative chops, presenting another infinite requiem for a courageously clandestine character.
Monday, February 23, 2009
ISSUE ZERO: ChemicalRobotiks: Paper Zombies
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